My Fourth Workshop at the Mediterranean Film Institute, in its First “Hybrid” Edition

August has just begun and the first session of the 2020 edition of the Script 2 Film Workshops, the Mediterranean Film Institute’s (MFI) development program for films, documentaries and TV series, has just ended. Given the difficulties caused by Covid-19 in organizing international travels for participants from all over Europe and abroad, and in making them work…

My Latest Teaching Activities, From Fashion Marketing to Digital Narratives

Spring has arrived (finally!) and it brought back (old) new collaborations. After completing a few exciting digital PR projects for the Milan-based entertainment marketing agency QMI Interactive over the past five months, I have resumed some of my favourite teaching duties.  In March I again joined the team of the Buyer 2.0: Professional Manager in Fashion Activities…

Back to the MFI Script 2 Film Workshops

Imagine you’re surrounded by one of the bluest seas, fed delicious seafood while watching breath-taking sunsets, and discuss story arcs and characters’ motivations over a few glasses of ouzo, Greece’s traditional anise-flavoured drink. It may sound like paradise, but it’s actually hard work too if you’re a scriptwriter, filmmaker or producer attending a full immersion…

“Our future is a skeleton.” A conversation with Jan Fabre ahead of the “Glass and Bone Sculptures 1977-2017” exhibition in Venice

It took Jan Fabre over 40 years to conceive what I was about to see in April at the Abbey of San Gregorio in Venice. The Belgian artist’s fascination for the themes of metamorphosis, life and death is well documented, and on this specific occasion, a collateral event of the 57th International Art Exhibition –…

TorinoFilmLab-supported Films “La Holandesa” and “Dead & Beautiful” Are on Their Way, While “Les Innocents” Is Out in Italy

November brought a bunch of great news for TorinoFilmLab-supported films (which month did not, anyway?). For my ongoing series of posts focused on TFL releases and work in progress projects, especially related to the 2012 Script&Pitch and Audience Design Programmes, I’m glad to share three updates from Chile, France and Italy. Principal photography for La…

My Photo London VIP Preview

[Scroll down for the Italian version] What I really enjoy of VIP previews, especially when it comes to contemporary art, is the chatter. Wandering through the stands with a glass of champagne and listening to comments, confidences and gossips whispered among gallery owners, collectors, those who are there only because it is a glamorous event…

CosmoGRAFIES

[Scroll down for the Italian version] I have always thought that there is a difference between being an artist and making art for a living. Each of us can create art and take the time we need to craft our skills when we’re off from work. But make a living out of art, and by…

“The Brand New Testament”

[Scroll down for the Italian version] Last week I kicked off my complementary membership at Curzon Cinemas with a gleefully blasphemous film, which made me laugh a lot, but understandably won’t appeal to some viewers with little sense of humour when it comes to religion. Between satire and dystopian fantasy disguised as a black comedy,…

The Man Who Bears the Cross

There is a peculiar contradiction at the heart of Belgian artist Jan Fabre‘s latest project, ‘The Man Who Bears the Cross’. As a reflection on the relationship between heaven and earth, it is first of all an intimate dialogue within the self and an unspeakable dimension. But being an installation hosted in the Cathedral of…

“Marco Lusini: The Colours of the Human Soul” Opens Tomorrow at Fiumano Fine Art Gallery

What immediately strikes you while going through Italian artist Marco Lusini’s biography (1936-1989), are the many art forms he experimented with before finding his ideal medium, painting. Photography, lithography, illustration, black ink drawing, not to mention sculpture and poetry, were all fertile ground in which the Siena-born “astronaut of inner space”, as Riccardo Belloni defined…

Can File Sharing Become a Form of Art? “The Pirate Cinema” Project Investigates Information Flows as Aesthetic Exploration

When it comes to torrents and digital piracy, users’ behaviours online are usually tackled under a variety of points of view, which include ethics, laws and copyright issues. But what about the file themselves, whose content is usually ‘invisible’ when people are sharing it via BitTorrent? What if you could have a glimpse of that…

How to Shape your Film’s Extra Content: A Lesson Learnt from “Birdman”

There is little doubt that Alejandro González Iñárritu’s Oscar-winning Birdman (Or The Unexpected Virtue of Ignorance) was one of last year’s most interesting films in terms of direction and cinematography, not to mention how the whole project was conceived from the beginning. Filming Riggan Thomson’ attempt to adapt Raymond Carver’s short story “What We Talk…

Islam, Interactivity And a Drone: Chevalier and Mossessian Reunite for “Digital Arabesques”

I’m always happy to see collaborations among artists grow, and even happier when artistic projects explore different cultures and build bridges between distant worlds. That is why I got very excited about Digital Arabesques 2014. As featured in a recent article on Designboom, the latest collaboration between French digital artist Miguel Chevalier and filmmaker Claude…

Let’s Bring the “Gialli” Back. Davide Melini on his Short “Deep Shock” (Part 2)

After discussing how director Davide Melini started his career, let’s delve into his new short, Deep Shock. Produced by Fabel Aguilera and Melini himself, it is supported by the most important institutions of Malaga, such as the “Diputación de Málaga”, the “Ayuntamiento de Málaga” and the “Málaga Film Office”. According to the official synopsis, the…

Let’s Meet the CEO and Play God: What the Trailer for “Ex Machina” Tells You About Your Boss

Big tech companies’ CEOs can be quite unusual people, praised as those few enlightened individuals able to bring grounbreaking visions to the world. On the forefront of design, innovation and technology, they’re worshipped for their unique ability to inspire people and open new roads. But what if these paths lead to unknown territories that question…

Do You Know Which Is The Most Northern Place? Filmmaker Anrick Bregman Has the Answer. And It’s Interactive (Part 3)

After discussing the project’s genesis and some aspects of the storytelling process, I asked director Anrick Bregman to share more insights about immersive tools, music and sound design featured in his web doc The Most Northern Place. Prominent Monkey: Which are the main features that create the immersive experience you designed for the viewer? Anrick…