“Our future is a skeleton.” A conversation with Jan Fabre ahead of the “Glass and Bone Sculptures 1977-2017” exhibition in Venice

It took Jan Fabre over 40 years to conceive what I was about to see in April at the Abbey of San Gregorio in Venice. The Belgian artist’s fascination for the themes of metamorphosis, life and death is well documented, and on this specific occasion, a collateral event of the 57th International Art Exhibition –…

CosmoGRAFIES

[Scroll down for the Italian version] I have always thought that there is a difference between being an artist and making art for a living. Each of us can create art and take the time we need to craft our skills when we’re off from work. But make a living out of art, and by…

The Man Who Bears the Cross

There is a peculiar contradiction at the heart of Belgian artist Jan Fabre‘s latest project, ‘The Man Who Bears the Cross’. As a reflection on the relationship between heaven and earth, it is first of all an intimate dialogue within the self and an unspeakable dimension. But being an installation hosted in the Cathedral of…